Blue Note Hawaii
The Budos Band

The Budos Band

After a two-decade run with the legendary Daptone Records, Frontier’s Edge is the first new music from the group on the new label, Diamond West Records — run by The Budos’ saxophonist Jared Tankel and guitarist Tom Brenneck.

The Budos Band’s departure from Daptone was on good terms; the split from their long-time home base was an organic result of the band’s evolution.

“It’s just a natural growth,” Brenneck says, admitting: “We’re going further away from the sound of Daptone and into territory they probably wanted to stay away from.”

As a result, Frontier’s Edge finds the group hungry, passionate and primed to charge into their next epoch newfound sense autonomy within the collective.

“We’re a powerhouse in the studio; we can produce ourselves,” Brenneck says proudly of a long process of self-containment. “I take the helm, but the band, they know what they want.”

As expected from The Budos Band, Frontier’s Edge resists analysis; it represents the band as they are: a contained explosion. You don’t pick apart Frontier’s Edge; you feel it all at once.

Whether this is your first rodeo with The Budos Band or you’ve been following them throughout their two-decade run, Frontier’s Edge contains their musical universe — Afrobeat, Ethiopian music, proto-metal, any number of other streams — in microcosm.

Dime the volume and behold The Budos.

Tickets $30-$45

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CLUB POLICIES

  • Seating is First Come, First Served
  • $10 Food or Beverage Minimum Per Person 
  • Full Bar & Full Dinner Menu Available
  • No refunds or exchange. Please make sure you purchase tickets for the correct date and time. Mahalo!

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  • The Budos Band

    After a two-decade run with the legendary Daptone Records, Frontier’s Edge is the first new music from the group on the new label, Diamond West Records — run by The Budos’ saxophonist Jared Tankel and guitarist Tom Brenneck.

    The Budos Band’s departure from Daptone was on good terms; the split from their long-time home base was an organic result of the band’s evolution.

    “It’s just a natural growth,” Brenneck says, admitting: “We’re going further away from the sound of Daptone and into territory they probably wanted to stay away from.”

    As a result, Frontier’s Edge finds the group hungry, passionate and primed to charge into their next epoch newfound sense autonomy within the collective.

    “We’re a powerhouse in the studio; we can produce ourselves,” Brenneck says proudly of a long process of self-containment. “I take the helm, but the band, they know what they want.”

    As expected from The Budos Band, Frontier’s Edge resists analysis; it represents the band as they are: a contained explosion. You don’t pick apart Frontier’s Edge; you feel it all at once.

    Whether this is your first rodeo with The Budos Band or you’ve been following them throughout their two-decade run, Frontier’s Edge contains their musical universe — Afrobeat, Ethiopian music, proto-metal, any number of other streams — in microcosm.

    Dime the volume and behold The Budos.

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