Blue Note New York
Tank and the Bangas & Friends featuring special guests J. Ivy & Chantae Cann

    $20 Minimum Per Person
    Full Bar & Dinner Menu
    NO REFUNDS OR EXCHANGES.

    • All seating is first come, first served. 
    • Table Seating is all ages, Bar Area is 21+. Bar Area tickets for patrons under 21 will not be honored. 
    Group Reservations:
    • Groups larger than 10 must purchase a group package at club@bluenote.net, or by calling 212.475.8592.
    • Groups larger than 10 without a group package will be subject to group surcharges added to your bill. 
    • Groups arriving late or separately are not guaranteed to be seated together. All seating is first come, first served. Arrive early for best seats.
    Tickets for Blue Note New York shows are only available for purchase on Ticketweb. We are not affiliated with any third-party sellers. Tickets purchased on third-party sites will not be honored. The credit card used for original purchase of tickets will be required at the door upon entry.
     
     

    • Tank and The Bangas

      Tank and The Bangas don’t go anywhere quietly. Sitting around a dimly lit room in London’s neighborhood of Camden Town, vocalist Tank Ball, bassist Norman Spence, drummer Joshua Johnson and saxophonist Albert Allenback can’t go mere minutes without bursting into play fights, or talking over one another, or laughing from their deepest guts. They are a beacon of life. And it’s that life that you hear in their music. That’s what makes this fivepiece one of the most thrilling, unpredictable and sonically diverse bands on the planet; a unit where jazz meets hip-hop, soul meets rock, and funk is the beating heart of everything they do. Their new album Green Balloon is on the horizon, and it’s their first release now they’re signed to major label Verve Forecast – a deal that came after they won NPR’s Tiny Desk Contest in 2017, beating out hundreds of other acts. They admit that it was a moment that has entirely changed their lives. This resulting record is set to prove their pizazz and their staying power. It’s everything they’ve worked so hard for so far.

      Green Balloon is a multi-faceted title for their first full-length release since Think Tank in 2013. Think Tank was a case of throwing all their creative juices and ideas to at the wall to see what stuck. It was a DIY project. This album process was a world apart from that. “Green Balloon is a sister to Think Tank,” says Tank. “Think Tank was 12, and Green Balloon is 16 and having sex. She’s out there.” Made in New Orleans, Los Angeles, London and Florida, the band’s newfound critical acclaim and global notoriety meant they were able to call upon producers such as Jack Splash, Mark Batson, Zaytoven, Louie Lastic and Robert Glasper. Some of these names were on their bucket wishlist, others were new discoveries. “It was truly a dream to us. We’re so lucky,” says Tank. Green Balloon and many of its lyrical themes may seem to revolve around money and material (“money, look at all my money” starts ‘Spaceships’), but it’s far more complex than that. The color is explored throughout the tracks.

      It’s not quite a full concept album, but there are interludes and a story arc. Tank explains that in New Orleans a common phrase is “she’s as green as a blade of grass”. “Green is about being naïve,” she explains. “You could be immature, new to life and experiences.” Green is also a reference to marijuana, which is vital to the band. “Feeling high, feeling out of yourself, feeling different,” she continues. Take the track “Too High,” which is almost two minutes of Tank just talking about weed consumption. In terms of wealth, Tank is as interested in what it means to not have money as she is with knowing what you do with money when you’ve never had it. It’s fitting too, that the idea of naivety pertains to the experience of Tank and The Bangas in the past few years while elevating from underground treasures to internationally renowned professionals. “It’s been a learning curve and a journey,” they admit. “We went to a whole different dimension.”

      The founding members of the band (Tank, Josh and Norman) met at an open mic night in New Orleans in 2011 called Liberation Lounge. Tank had wanted Josh to write out songs she’d already written for a poetry album. Eventually they met Albert. A family of musical lifers, none of them ever thought twice about quitting through years and years of grinding it out on local live circuits. That time gave them the best foundation for their onstage chemistry and dexterity. As a result they’ve been heralded the best live band in America and for good reason.

      It was the NPR contest that turned their world upside down. They were already accustomed to winning competitions but they had no expectations for their entry. Their submission is an example of their need for more discipline – they did it at the very last minute. “We weren’t expecting to win or not to win. We did something we thought was really cool and we thought everybody would vibe with it, but we didn’t know it would change our lives. It was our moment. They picked us unanimously.” They went from traveling to the likes of Chicago to play to three or four people, to touring all over the world, and getting to enjoy downtime at home in New Orleans. It led to the album-making process.

      On the record, they have overcome their biggest challenges to date: deadlines, forward-planning and outsider collaboration. The reward is in the songs and their variety. “Dope Girl Magic” is a trap joint, showcasing the other side to Tank, as she raps with as many character voices as Missy Elliott or Nicki Minaj. “Ants” is dripping in soul jazz like Amy Winehouse’s “Frank.” “Hot Air Balloons” is a slow jam straight out of the D’Angelo school book. Tank is a former slam poet and her voice is inspired by everyone from Donny Hathaway and SWV to Nina Simone. Their biggest collective influence in the past few years has been Kendrick Lamar’s To Pimp A Butterfly. “It’s the best shit you’ve ever heard. A lot of people aren’t accustomed to horns, but if you give them a tiny taste you can whet their appetite. That record brought an eclectic view to what music could be as mainstream.”

      Tank is lead lyricist and describes her focus on these songs as simply honesty. “Being vulnerable,” she says. “I had a lot of moments on this album where it would get difficult and I would call in reinforcements, like my band members. Whenever I was in a tough spot I’d call on the guys.” It’s a self-reflective diary, a mixture of fun and joy, but also a catharsis while dealing with a complicated ex. “Roll out, take your bra off,” she laughs, depicting her attitude to life in these songs. The creative process was often spur-of-the-moment and out of the blue. The biggest thing they learned about one another in the studio was more of a reinforcement than a revelation. They found new depths of appreciation for each others’ creativity. “I’m around a bunch of freaking geniuses,” says Tank.

      “We’re really vibe-y as a band,” they explain of their approach to studio time. They’d arrive to sessions with an idea of what they wanted but it was never strict enough to derail them from jamming and going with the flow. Their songs come whenever, usually during rehearsals and sound checks. It’s purely organic. “It’s a puzzle and everybody needs to be there to solve it,” says Tank. Their mixture of rock, funk, soul and hip-hop is unlike anything else in the ether right now, but elements are close enough to Beyonce, Frank Ocean, Flying Lotus, Kendrick, etc, that the hope is they can infiltrate the mainstream. They don’t connect with the idea of genre, which is thoroughly modern in itself.

      “It’s like colors or something,” they say. “Everything we’re influenced by we don’t have a problem putting on a record because we don’t feel like we’re stuck in one lane.” Tank agrees: “When we’re creating, we are creating. We never say: that sounded too blues-y, that sounded too country, that’s too hip-hop. It’s just that’s what this feels like, so let’s push that feeling to its completion, make it feel good.” Tank and The Bangas are the vein of band to believe that there are only two types of music: good music, or bad music. “If it’s good, it’s good!” says Tank.

      Despite their newfound global focus, Tank and The Bangas remain a New Orleans band at heart. New Orleans is a lawless place for creatives – there are no rules. There might be an idea of the typical Frenchmen St jazz band but to couch this band’s work in that notion is to do both them and NOLA a grand disservice. ”You don’t need to do a certain type of music to be connected to New Orleans,” says Tank. “It’s in the culture, it’s in the people, it’s in the fact that we can all find so many common things in the streets.” New Orleans champions its own, which allowed Tank and The Bangas to grow their fanbase by word of mouth and community. “That’s more New Orleans than anything I’ve ever heard. The music in New Orleans isn’t technical, it’s not a bunch of fancy ass notes. It’s felt and it’s very passionate. It’s real. That’s what people get to take home.”

      It makes sense that the next person they have on their dream list to work with is legendary musician George Clinton. “Just putting it out there,” laughs Tank. Overall, the band are no longer waiting for their own green light to get going. The green light is here, and you better believe Tank and The Bangas are ready to take flight.

    • Chantae Cann

    • J. Ivy

      Truly, when it comes to the art of Hip-Hop Poetry, J. Ivy is the 1st of his kind. He is a pioneer, a trendsetter, one who has knocked down impossible doors, taking the Art of Poetry directly to mainstream music & television arenas. His motivational motto, “Dreams Don't Come True, They Are True,” has guided him from his native home Chicago to becoming a GRAMMY®, Peabody, Clio, Telly, and NAACP Image Award Winning Poet and Artist.

      In February of 2023, 30 years after his first performance, J. Ivy won a GRAMMY® for his album, THE POET WHO SAT BY THE DOOR, becoming the first Poet to win in the GRAMMY® Awards’ new category, Best Spoken Word Poetry Album. Not only is he the first Poet to win a GRAMMY® since the great Dr. Maya Angelou, he also won a GRAMMY® for his work on the Tennessee State Marching Band’s The Urban Hymnal, which won in the Best Gospel Roots category. For his follow up, in September of 2023 J. Ivy released his 7th album, THE LIGHT INSIDE.

      J first discovered his affinity for the written art during a routine high school assignment. After hearing the talent in J’s writing, as well as in his voice, his English teacher, Ms. Paula Argue, demanded he share his gift on stage. Reluctant, but never afraid, J performed for his peers and to his surprise he received a standing ovation. Since that life changing moment, J has never stopped creating. He headed to Illinois State University, where he soon became known on campus as “The Poet,” which later led him to performing throughout Chicago.

      In no time, J. Ivy became a staple on the Chicago arts scene. Excited about his quick success, but far from satisfied, J pressed on becoming the 1st African-American Poet to represent Chicago on Russell Simmons Presents HBO Def Poetry performing his captivating poem, “I NEED To Write.” Again he received a standing ovation and was invited back for two encore appearances on the award winning show, which included his heartfelt poem “Dear Father.”

      As a seasoned performer, J. Ivy’s artistry and accomplishments have range, carrying him and allowing him to work in an array of creative outlets.

      From his work on the classic song "Never Let Me Down" with Kanye West & Jay-Z, to performing a poem for NBA Hall of Fame Legend Michael Jordan, to MC'ing and performing at events for Deepak Chopra, to voicing openings for sporting events like the NFL’s Sunday Night Football on NBC, ESPN’s US OpenNational Spelling Bee, the 2017 NBA Draft, and The Undefeated's Dear Black Athlete, to co-starring in and narrating B.E.T.'s award winning film Muhammad Ali: The People's Champ & Martin: The Legacy of a King, to starring in a national ad for AARP, to collaborating with artists like Estelle, Marsha Ambrosius, Slum Village, and John Stephens, who J. Ivy renamed John Legend (featured on Oprah’s Next Chapter), J’s versatility continues to surprise and inspire all walks of life.

       

      After the world shut down due to Covid-19, in July of 2020, J. Ivy wrote and narrated Beyoncé’s Black Is King promo for the Return of the NBA.

      Not only is he a poet, writer, and voice-over artist, who has shared stages with the likes of Prince, Sia, Doug E. Fresh, Slick Rick the Ruler, Jim Carrey, Sway in the Morning, Erykah Badu, Jill Scott, Mos Def, Talib Kweli, Common, Lauryn Hill, Dave Chappelle, and many more, but he also collaborates his poetry with music, and is humbly a superb photographer.

      After touring with his book "Dear Father: Breaking the Cycle of Pain," published by Beyond Words Publishing, an imprint of Atria Books & Simon and Schuster, J. Ivy released his 4th studio album, Catching Dreams, which is a beautiful blend of poetry and music. Due to the fact that venues were shut down world wide, J. Ivy recorded and filmed a concert titled Catching Dreams: Live at Fort Knox Chicago, which was Nominated for the 2022 GRAMMY Awards in the Best Spoken Word Category alongside Levar Burton, Don Cheadle, Dave Chappelle, Amir Sulaiman, and Barack Obama.

      After J. Ivy’s first nomination, he went on to author a proposal that led to the GRAMMYs creating a new category titled the Best Spoken Word Poetry Album. Due to J. Ivy’s work, this year, for the first time in the history of the GRAMMY Awards, five Poets were nominated for this prestigious award.

      At the same time, J. Ivy was busy working as the Lead Writer, Voice Director, and Cast Member of Netflix’s new film, jeen-yuhs: A Kanye Trilogy.

      Beyond music, television, and the touring circuit, J. continues to support community arts through The Dear Father Movement, which encourages people of all ages to explore the arts and find strength through The Power of Forgiveness by writing their own Dear Father Letter.

      J. Ivy is a modern day renaissance man magically merging art and leaving a beautiful mark for the world and the future to embrace. From his breath taking performances for people of all ages to his appearances on countless television networks, J. Ivy’s passionate delivery always leaves spectators transfixed in a state of inspiration, and because of that he is recognized World Wide.

      Corporate clients include: AARP, ABC, Allstate, American Family Insurance, Benjamin Moore, Brand Jordan, BET, Bulleit Partners, Coca-Cola, ESPN, FedEx, Ford, HBO, Kellogg, Martha Stewart, McDonalds, Microsoft, Miller Lite, NBA, NBC, Nike, Nissan, Sprite, Walmart and more.  

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