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Showtime: 8:00PM
Doors Open at 6:00PM

$20.00 $35.00

[ Complete Show Schedule... ]
Roy Hargrove & Roberta Gambarini w/ Jimmy Cobb
Roberta Gambarini, vocals
Roy Hargrove, trumpet
Ronnie Matthews, piano
George Mraz, bass
Jimmy Cobb, drums

Roberta Gambarini, Roy Hargrove, Ronnie Matthews, George Mraz, and Jimmy Cobb represent the best of today's jazz musicians on their respective instruments. The all-star group will play for one week only at the world's finest jazz club, the Blue Note.

Roberta Gambarini was born in Torino, Italy, into a family where jazz was much loved and appreciated. She began listening to this music as a child and started taking clarinet lessons when she was twelve years old. In 1998 she moved to the United States with a scholarship from the New England Conservatory in Boston. Two weeks later, Roberta stunned many in the jazz world with a third place finish in the Thelonious Monk International Jazz Vocal Competition. A dynamic performer with virtuosic vocal chops, she draws rave reviews and enthusiastic fan support wherever she performs. And shes done so with no hype and to the astonishment of many no domestic releases. Until now: on June 6, 2006, GROOVIN High released Roberta's North American debut, Easy to Love. Roberta shows off her instrumental approach and warm timbre, impeccable timing and intonation, incredible technique and scatting and improvisation skills on a set of 12 excellent jazz standards and classic songs from The Great American Songbook. The album also includes two bonus tracks and features special guest James Moody on a scintillating scat duel.

Roy Hargrove is a hard bop-oriented "Young Lion." A fine straight-ahead player who does not sound overly influenced by any of his predecessors, Hargrove's fiery solos resulted in him winning the Downbeat Readers' Poll in 1995. He met Wynton Marsalis in 1987, when the trumpeter visited his high school, and impressed Marsalis, who let him sit in with his band. With the help of Marsalis, Hargrove was soon playing with major players including Bobby Watson, Ricky Ford, Carl Allen, and in the group Superblue. Hargrove attended Berklee (1988-1989), and in 1990 released his first of five recordings for Novus; he was 20 at the time. He often toured with his own group, which for several years including Antonio Hart. In addition to Novus, Hargrove has recorded for Verve and as a sideman with quite a few notables including Sonny Rollins, James Clay, Frank Morgan, and Jackie McLean, plus the group Jazz Futures. His Verve album roster includes 1995's Family and Parker's Mood. Habana and Moment to Moment followed at the end of the decade. Hargrove also went on to contribute to well-received R&B albums by Erykah Badu and D'Angelo. His most recent recordings include Distractions and Nothing Serious, both showcasing Hargrove's versatility and incredible talent.

One of the most prestigious pianists of the past 40 years and yet one of those essential contributors to the puzzle of jazz history who has not received due recognition. It seems "Ronnie Mathews" would be more a household name than it is, for his lofty investment into jazz. According to the New York Daily News, "Ronnie Mathews (is) another stalwart figure who has yet to receive the proper recognition." His years of touring and his many albums, both as leader and sideman, are overwhelming in number. Critics have showered accolaides upon his name and affectionately compare him to fellow pianists Thelonious Monk and Bud Powell, with a sprinkle of McCoy Tyner. Not that Ronnie ever imitated them, but rather, that he is in league with these jazz greats. In the 80's, Mathews began honing his role as a front man. He performed as a leader in duo, trio and quartet configurations around the world (from New York City to Genova, to the North Sea Jazz Festival in Holland, and more). He also toured with Freddie Hubbard and Dizzy Gillespie's United Nations Band. One sign of his broad scope of talent and musical amiability, is his position as pianist for the Tony Award winning Broadway musical, "Black and Blue" in 1989. And Broadway wasn't his only cross-media project; In 1990, Mathews was one of the artists who recorded on Spike Lee's movie, "Mo' Better Blues."

George Mraz has been a greatly in-demand bassist for straight-ahead dates ever since he emigrated to the United States in 1968. After a brief time playing violin and alto, Mraz studied bass at the Prague Conservatory and gigged at a club in Munich for a year. In 1968, he attended Berklee and he soon toured with Oscar Peterson (1970-1972). After moving to New York, Mraz became a member of the Thad Jones/Mel Lewis Orchestra (1973-1976), worked with Stan Getz (1974-1975), and has since played with most of the top jazz players, including Walter Norris, Pepper Adams, Roland Hanna, Zoot Sims, Tommy Flanagan, John Abercrombie, Carmen McRae, Jimmy Rowles, Stephane Grappelli, and countless others. Other than an obscure duo date with Roland Hanna for Trio in 1976, George Mraz surprisingly did not have an opportunity to lead his own sessions until the mid-'90s when he signed with Milestone. His album roster includes Jazz (1995), Bottom Lines (1997), Duke's Place (1999), and Morava (2001).

In a career spanning nearly six decades, drummer Jimmy Cobb has proven to be a master of every musical situation. One of jazz’s definitive accompanists, Cobb made his name in support of such giants as Dinah Washington, Cannonball Adderley, Miles Davis, Wes Montgomery and Sarah Vaughan, and on literally hundreds of studio sessions. As the drummer on Davis’ legendary album Kind of Blue, Cobb may be the most frequently heard (if not the best known) drummer in jazz history; and as part of the legendary Davis rhythm section with pianist Wynton Kelly and bassist Paul Chambers, he created a manner of swinging in the modern idiom that remains the gold standard for rhythmic inspiration. For all his achievements, however, Jimmy Cobb’s contribution has too often been taken for granted, which is why he is the perfect subject to help launch the new Honors Series from Marsalis Music.


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